Dr Péter Bokody
Profiles

Dr Péter Bokody

Lecturer in Art History

School of Humanities and Performing Arts (Faculty of Arts and Humanities)

Role

Programme Leader for Art History - Fine Art and Art History - Anthropology
Convener of the Research Master programme in Art History
Stage 2 and 3 Personal Tutor for Art History

Dr Péter Bokody joined the Art History team at the University of Plymouth in 2014. Péter is a specialist of the Italian Renaissance, his interests include gender studies, metapainting, contemporary visual theory and political iconography as well. He held research fellowships at BildEvidenz (Freie Universität, Berlin, 2018), Niki - Istituto Universitario Olandese (Florence, 2016), Kunsthistorisches Institut (Max Planck Institut, Florence, 2009) and the Index of Christian Art (Princeton University, Princeton (2009). Before coming to Plymouth, Péter taught art history at the Moholy-Nagy University of Art and Design (Budapest, 2013) and McDaniel College (Budapest, 2007-13).

Qualifications

PhD (2010) - Medieval Studies, Central European University, Budapest
MA (2006) - Medieval Studies, Central European University, Budapest
BA (2004) - Art History and Art Theory, Eötvös Loránd University, Budapest

Professional membership

Fellow, Higher Education Academy (HEA)
International Center of Medieval Art (ICMA)
Association of Art Historians (AAH)
Art and Christianity Enquiry (ACE)
The Medieval Academy of America (MAA)

Teaching interests

Péter teaching interests are shaped by his strong belief in empowering students from Day One of their university studies. For him, this means building gradually a competitive skill-set, which allows freshers to thrive in an academic environment and beyond. He is responsible for the introduction to art history and visual culture modules, offered to art history and anthropology students. His upper-level teaching revolves around patronage in renaissance painting and issues in contemporary art. He has a long-lasting interest in paintings that trick or surprise their viewers: his classes center on sharing and dissecting such visual experiences.

Péter leads the module on art historical methodologies for research master students and supervises ResM and PhD projects on renaissance art, metapainting, political iconography, gender studies and contemporary visual culture.

Undergraduate

ARHI414 Introduction to Art History and Visual Culture
ANTH407 Introduction to Visual Anthropology and Art History

ARHI506 International Field Trip (Florence)
ARHI501/601 Self-Reflexivity in Western Art and Visual Culture
ARHI515/619 Power, Patronage and Ideology: Aspects of Renaissance Art
ARHI508/620 Questions in Contemporary Art History

ARHI605 Dissertation I - Theories and methods
ARHI608 Dissertation II

Postgraduate

MARE703 Research Methods in Art History
ResM and PhD supervision

Research interests

Péter's research focus is the emergence of painting as a complex and political medium in Italy around 1300 and the aftermath of this transformation in the Renaissance. He curated the exhibition Image and Christianity in 2014 at the Benedictine Archabbey of Pannonhalma (Hungary). He has published several articles on early Italian metapainting, and he is the author of Images-within-Images in Italian Painting (1250–1350): Reality and Reflexivity (Burlington, VT: Ashgate, 2015). Péter co-edited with Alexander Nagel the collected volume Renaissance Metapainting (Turnhout: Harvey Miller, 2019), which examines self-reflexive pictorial tendencies in Northern and Southern Europe before the Reformation. His current project looks at the political iconography of tyranny, war and sexual violence in the Italian peninsula.

Other research

Selected Conference Papers and Public Lectures

Embedded Images in Perspective
Pictorial Space in the Late Middle Ages and Early Renaissance
University of Amsterdam, 2019

Plasticity, Inertia and Iconography: Depicting Marble Statues in Italian Painting, c. 1400
International Medieval Congress
Institute for Medieval Studies, Leeds, 2019

Poetics of Sexual Violence and Pregnancy in Renaissance Painting
Art History Research Seminar
University of Plymouth, 2018

Tradition and Innovation: Images-within-Images in Italian Painting After the Age of Giotto
BildEvidenz
Freie Universität, Berlin, 2018

Representation of Wartime Sexual Violence in Renaissance Painting
Peninsula Arts
University of Plymouth, 2017

The Politicization of Rape: Giotto’s Allegory of Injustice in Padua
Murray Seminar
Birkbeck’s School of Arts, London, 2017.

Codification and Visualization of Wartime Sexual Violence
Before Judgment: Critiquing Imagery and Style of Good and Evil
Kunsthistorisches Institut, Florence, 2017.

Politics of Humility? The Fresco of Pope Celestine V by Niccolò di Tommaso from Casaluce
International Medieval Congress
Institute for Medieval Studies, Leeds, 2017

May my prayer be set before you like incense - Mediality and Prayer in 13th century Italy
The Experience of Prayer in the Middle Ages
Trinity College, Dublin, 2017

The Long Shadow of Taddeo Gaddi
Giotto’s Circle Away-Day, Cambridge, 2016

Before Self-Affirmation: Self-Aware Painting in Early Renaissance Art
34th CIHA Congress
Comité International de l’Histoire de l’Art, Beijing, 2016

Images of Rape in Italian Painting
Dutch University Institute for Art History, Florence, 2016

Sexual Violence Against Women in Fourteenth-Century Italian Painting
Center for Renaissance and Early Modern Studies
Queen Mary University, London, 2016

Visual Self-Reflexivity at the Dawn of the Renaissance
Art History Research Seminar
Trinity College, Dublin, 2014

The Structure of Iconographic Innovations: the Case of Giotto
Iconology at the Crossroads
Iconographic Studies, Rijeka, 2013

Patterns of Reflexivity? Images-within-Images in Italian Painting (1278-1348)
Medieval Art in Theory Conference
The Courtauld Institute of Art, London, 2010

The Cathedral of Siena and the Presentation in the Temple by Ambrogio Lorenzetti
Architectura Picta. La representation de l’architecture dans la peinture
École Pratique des Hautes Études (Paris) and Kunsthistorisches Institut (Florence), Paris, 2009

Kronotopos. Narrative strategies in the Homilies on the Life of the Virgin
Bridges and Boundaries: Revisiting the Byzantine Inheritance
Center for Hellenic Traditions, Central European University, Budapest, 2009

Presence and Performativity
44th International Congress on Medieval Studies
Western Michigan University, Kalamazoo, MI, 2009

Between Art and Iconography: Representation-within-representation in Assisi
Medieval Mise-en-abyme: the Object Depicted Within Itself
The Courtauld Institute of Art, London, 2009

How to Petrify: Pseudo-Sculptural Animal Decoration in the Lower Church of Assisi
International Medieval Congress: The Natural World
Institute for Medieval Studies, Leeds, 2008

Between Ubertino and Olivi: The Allegory of Obedience in Assisi
Letteratura profetica, oracolare e sibillina fra XIII e XV secolo
Palazzo dei Musei, Modena, 2008

A History of Image-within-Picture in the Art of Medieval Italy (1290-1350)
Bildanalyse – interdisziplinär: Bildverständnis in den Wissenschaften
Deutsch-Italienisches Zentrum Villa Vigoni, 2008

Grants & contracts

ICMA-Kress Book Award (2013)
International Center of Medieval Art, Cloisters

3rd Best Dissertation Award (2011)
Central European University, Budapest

Creative practice & artistic projects


Books

Images-within-Images in Italian Painting: Reality and Reflexivity. Burlington: Ashgate, 2015.

Image and Christianity: Visual Media in the Middle Ages. Pannonhalma: Pannonhalma Abbey, 2014.

Key publications are highlighted

Journals

“Florentine Women and Vendetta: the Origin of Guelf-Ghibelline Conflict in Giovanni Villani's Nuova Cronica.” Source: Notes in the History of Art 37 (2017): 5-14.

“After Paradigm: Iconography and Giotto.” IKON: Journal of Iconographic Studies 7 (2014): 131-141.

“Secularization and Realistic Turn in Italy: Antonio Fissiraga’s Funerary Monument in Lodi.” IKON: Journal of Iconographic Studies 5 (2012): 351-362.

“Dániel – megjegyzés a klosterneuburgi oltár Feltámadás reggele-táblájának ikonográfiájához” (Daniel –Note on the Iconography of the Morning of the Resurrection Panel of the Klosterneuburg Altarpiece). Művészettörténeti értesítő 52 (2003): 233-236.


Chapters

"Framing Peace and Politics: The Allegory of Justice by Giotto in the Arena Chapel." In Framings, ed. Slavko Kacunko, Ellen Harlizius-Klück and Hans Körner, 13-27. Berlin: Logos, 2015.

“Mural Painting as a Medium: Technique, Representation and Liturgy.” In Image and Christianity: Visual Media in the Middle Ages, ed. Péter Bokody, 136-151. Pannonhalma: Pannonhalma Abbey, 2014.

“Justice, Love and Rape: Giotto’s Allegories of Justice and Injustice in the Arena Chapel, Padua.” In The Iconology of Law and Order, ed. Anna Kerchy and György Szőnyi, 55-66. Szeged: JATE Press, 2012.

“Idolatry or Power: St.Francis in Front of the Sultan.” In Promoting the Saints: Cults and Their Contexts from Late Antiquity until the Early Modern Period, ed. Ottó Gecser and others, 69-81. Budapest: CEU Press, 2010.

Exhibitions

Icons and Relics: Veneration of Images between East and West
Curator, Pannonhalma Abbey (March 21 - Nov 11, 2014)

Image and Christianity: Visual Media in the Middle Ages
Curator, Pannonhalma Abbey (July 10 - Sep 30, 2014)

Links

http://plymouth.academia.edu/PeterBokody/